Hot Pipes - A Fun Sunday Listen

This next piece is very catchy, which isn't something you can usually say about a piece written for the Organ.
The title of this piece is Hot Pipes - Movement 4 from Victor Davies' Jazz Concerto for Organ & Orchestra. The other movements of the concerto are entitled Boogie Pipes, Blue Pipes, and Cool Pipes.

This piece is so much fun, and I was actually at the performance in the video. As you see, it got a standing ovation at the end.

Here's the video:

Enjoy and have a great day! More to come soon!

Bonneville Stake Center - Small, but Unique

These pictures are actually from the 2nd time I went to play this organ. The first time, I was only able to stay for about 15 minutes because a bunch of people were coming in to watch the General Womens' Meeting, and obviously needed the chapel. I also couldn't get any pictures, because the room was rather crowded and the projection screen was down in front of the organ.

This is the first Wicks, and the first chapel pipe organ I ever played, but because of the short time, I had to go back to document it and really get a feel for it.

As you can see, there's some nice detailing on the wind chests for the facade pipes, and there's only room for the one row of pipes against the wall. Below you can sort of see the other pipes inside the swell box in the center. The shutters on the swell box are made of glass, which is why you can see the pipes. You can also sort of see the console in the back right corner of the rostrum.

Here's my selfie:

As you can imagine, with just a small swell box and a single row of facade pipes, this is a pretty small organ. You can see below that it only has 5 ranks of pipes, which isn't very many.

I was able to get this cool shot, since the pipes are right at eye level where you can reach them. Now, if you can ever get that close to organ pipes, DON'T TOUCH THEM, unless you have permission. It's easy for them to get them out of tune. Tuning and voicing an organ is a laborious and expensive affair, and most churches probably won't want to pay for it more than absolutely necessary.

This is the view from the console. It's tucked way back into the corner, and the piano is almost right up against it. I imagine, however, that this makes it easy to use piano and organ in the same program, since the organist could easily whisper in the pianist's ear (or vice versa) without either of them having to move.

I enjoyed this organ. It was fun, and I was able to get some fun sounds out of it. Being only a 5-rank organ, it's not very loud, even on full organ, but it makes it useful for general church services without the church buying a large, costly organ. It doesn't have the finest tone I've ever heard, but it's a workable instrument that I enjoyed playing. I'll be posting some more pics this week, and one of my favorite organs is coming up! 

Have a great week, guys!

Organ Specifications:
Built By: Wicks Organ Company
Opus Number (if indicated):
Year: 1979
Manuals: 2
Ranks: 5
Location: 85 S. 900 E. Provo, UT

Bonneville Stake - Stoplist

A Very Special Piece of Music

Today's post is a special one. This is something very near and dear to my heart.

This past Monday, my younger sister left the Missionary Training Center in Provo, UT, where she had been since July 23 to serve in the West Indies Mission of the Church of Jesus Christ of Latter-Day Saints. She was very excited, and I am very happy and excited for her as well. She is going to be a great missionary!

In May of this year, I had gone back to Guatemala to visit some of the people I served. I was there for a couple of weeks, and one Sunday night, I called my family on Google Hangouts. On this call, my sister humbly and sweetly asked if I would prepare an organ solo to play at her farewell meeting. I told her to pick a hymn, and that I would arrange it and play it.

She ended up telling me to pick the hymn, so I picked my favorite missionary hymn, I'll Go Where You Want Me To Go. It really speaks to my soul and I love it, and it's very much about missionary work. I started arranging it soon after I returned from my trip.

About the same time, I was called as assistant ward clerk in my YSA ward, and therefore received a key to the LDS Church's Multi-Stake Building in Provo, UT, which is about a block from my apartment. There is a beautiful digital organ in this building, and I now had access (and permission) to practice in the building. I'll probably do a post on this organ later, even though it's a digital organ, because it's my primary practice instrument and hands-down the best digital organ I have ever played.

Despite breaking my toe, I was able to arrange the hymn for her farewell, and perfect it before the day I would play it. I went through several registrations and iterations of the piece before finally arriving at what it now is. I got the organist from the building where I would be playing to lend me her keys, and I got everything arranged for the smaller Allen organ in my parents' chapel. I played the piece that day in Sacrament Meeting, and, as a surprise, I made a recording of the piece on the organ in the Multi-Stake Building, so she can listen to it her entire mission.

This was a sacred experience for me, and a way I was able to put my heart into my music, and give my sister something nobody else really could. It remains one of my favorite hymns, and when I need to feel the presence of the Holy Ghost, I will go to the Multi-Stake Building and play this piece. It never fails in calming me and helping me to see things clearly.

Below is the recording I made on the 3-maunal Johannus Monarke digital organ at the Provo Multi-Stake Building. It's not perfect, and the microphone I used wasn't designed for organ recording, but it's all there. For those interested in such things, I have not yet transcribed this to sheet music. I play it solely from memory.

Here's the recording. It's on YouTube, but it's just an audio recording:

https://www.youtube.com/watch?v=RTzI2Pf-rMc&feature=youtu.be

Oak Hills Stake Center - A Happy Day!

Sorry guys, I've been a bit busy, and haven't been able to post much this week. School just started, and that always makes for a fun time!

This is a great organ. I really, really enjoyed this day. This is the 9-Rank Schantz organ in the LDS Oak Hills Stake Center. It's just across the street from the Provo temple, and the building has a small bell tower attached to it, so it's unmistakable. I had visited this chapel once previously, a few years ago, for a friend's missionary farewell meeting. Then, I found out that the local AGO (American Guild of Organists) chapter has an event scheduled here, so I figured I should probably go check out the organ. 

Here's a shot of the console. This was the first Schantz I ever played, and I have played only one other since, but I absolutely love their consoles! They are very ergonomic, and it's always easy to reach everything and to get the bench right where you want it. Schantz organs are extremely comfortable to play. The keys also have wooden cores, giving them some heft and body. It makes the organ feel a lot better made, and more substantial. I wish more care was taken with consoles in general, because such a small thing can make a big difference.

You couldn't really see it there, but some of the pedals have had the finish worn off of them by frequently being played in street shoes. Please don't do this. It may be comfortable for you, but it makes it harder for every organist after you for years to come. And getting the Church Facilities Maintenance team to get the organ pedals refinished is pretty low on the priority list.

Here you can see the organ in the room a little better. I love that there's a window right above the organ! It's so cool! You really don't see that very often. I've only played one other organ that has a window among the pipes like this (pictures coming soon!).

All of the pipes are voiced beautifully. The tone colors are outstanding, and everything is very well put together. I am very impressed with Schantz' build quality. If I were petitioning for an organ in my local chapel, I would probably petition for a Schantz, because they are so nice. 

Another interesting thing about these is the action. I'm not exactly sure what kind of action they use (I know it's not a tracker action) but for a certain period after you power the organ off, you can continue to play the pipes on any stops you have engaged for a few seconds before a valve closes and prohibits further playing. That's strange for an organ that isn't a tracker, and it's pretty cool.

This photo was taken standing at the back of the console.

The entire organ fits in the same horizontal footprint. The swell box is just behind the facade, and I believe the blowers are just below these. It's a small organ, but has some beautiful stops. Unfortunately, one of the notes in the pedal was out when I played this on June 11th, but I'm sure they've taken care of it by now.

Above and below you get a view of the window at nighttime.

And I can't forget the selfie!

This is one of the organs I most want to revisit, since it was so much fun to play! Of course, this was an excellent day for me as an organist, as I got to put my organ shoe back on my right foot for the first time in two weeks, and it was a wonderful thing! It's like a soccer player recovering from an ankle injury, or a runner getting back on his feet after his broken leg healed. I really couldn't play the organ fully without the full use of both my feet, but I recovered, and learned some great spiritual lessons in the process. I am grateful for the experiences, and that I am now back to 100%.

Thanks guys, more to come soon!

Organ Specifications:
Built By: Schantz Organ Company
Opus Number (if indicated):
Year: 1992
Manuals: 2
Ranks: 9
Location: 925 North Temple Drive Provo, UT

Oak Hills Stake - Stoplist

Two Pipe Organs in One Day! - Provo Married Student Stake Center, Sharon East Stake Center

This was a great day. Memorial Day, 2014. It was the first time I ever played two pipe organs on the same day! Sadly, it was the last time I was able to fully play an organ, since the next morning, I broke my toe, making it impossible to put on my organ shoes. The boot they gave me at the hospital was also far too wide to be able to play the pedals with my right foot. For an organist, you can imagine, that this was dreadful. Thankfully, I work in an office and didn't have to walk around much anyway while I was healing.

But I digress.

The first place I went on May 26 was the Provo Married Student Stake Center on 900 East in Provo. This building has two chapels in it, and a large gymnasium in the middle. The South chapel has a Rodgers digital organ, and the North chapel has a Wicks pipe organ!

Here's a picture of the somewhat boring facade:

The pipes are located behind the grilles on either side of the central projection screen.

This was an interesting experience, as it was my first time experiencing a couple of stops: It was my first experience with a 32' stop on a pipe organ (I had played digital 32' stops previously) and a 10 2/3' "Quint" stop. I had never seen a bass mutation before, and honestly, I can't see a lot of applications for it in LDS music, but I imagine the occasional classical piece takes advantage of it.

Here's the placard, with a USB port below it. Being built in 1962, this is probably the oldest pipe organ I have played. As I understand it, the USB port was added during a recent renovation of the organ, and is there to allow organists to store their "profiles," essentially collections of memory levels, on a flash drive so they can keep their combinations from being modified by other organists. I wish more organs had this!

This organ was fun, but I really enjoyed the second one of the day, at the Sharon East Stake Center. I had known for a while that the aforementioned stake center is where my YSA ward goes to play volleyball on Monday nights, and I had recently discovered photos and details of this organ on the Organ Historical Society's Website, so I snagged a ride with someone to "volleyball," and quietly walked to the chapel to play the organ. I finished about the same time they did, so the timing was perfect

Here's a link to the Organ Historical Society's entry on the Sharon East Stake's Organ: 

OHS Sharon East Stake Center

Photos in the entry can be clicked on to make them larger. My photos are below.

Here's the facade, taken from just behind the pulpit. I really like the small, exposed-pipe design at the top. Notice that the swell box is in the center. This makes it a lot of fun to use the expression pedal, since the shutters are so close by and easy to see (and hear) in motion.

Here's something interesting, a 1' stop! This is the first time I ever played one, and this one is a flute, the Siffloete. It's a neat addition to the principal chorus, but it's very shrill, and I honestly prefer a mixture in most cases. You can see the stop tabs for the Swell division including the 1' here:

And how could I leave out the selfie? (One of my better ones, too!) This was my favorite organ in Provo for quite a while. I have been back to play it a couple of times, but I now have a couple of new favorites. This one will always be special to me though, since I later found out I have friends who attend church here.

As I mentioned, less than twelve hours after I took the above photos, I broke my little toe on my right foot in my apartment, and I couldn't properly play the organ for a couple of weeks. Fortunately, everything healed well and quickly, and I was soon back to being my organ-loving self! My next post will be about the organ I played the first time I managed to get my organ shoes back on after my little accident. Have a good one, guys!

Organ Specifications (Provo Married Student Stake Center):
Built By: Wicks Pipe Organ Company
Opus Number (if indicated):
Year: 1962
Manuals: 2
Ranks: 6
Location: 1600 N 900 E Provo, UT

Provo Married Student North Chapel - Stoplist

Organ Specifications (Sharon East Stake Center):
Built By: Wicks Pipe Organ Company
Opus Number (if indicated):
Year: 1977
Manuals: 2
Ranks: 11
Location: 2400 N 1060 E Provo, UT

Sharon East Stake Center - Stoplist